is the executive director of Accuracy in Academia (AIA), a non-profit research group reporting on bias in education. In that capacity, Kline serves as editor-in-chief of AIA’s two web sites—www.academia.org and www.campusreportonline.net. Kline also edits AIA’s monthly newsletter, Campus Report. He has hosted a monthly online broadcast on www.rightalk.com.
He previously worked as the editor of the National Journalism Center (NJC) and has written for a variety of publications including USA Today, Crisis magazine, The American Enterprise, Organization Trends (from the Capital Research Center), Insight magazine, Human Events, The National Catholic Register, The Non-Profit Times, andConsumer’s Research magazine. A graduate of the University of Scranton, Kline also worked as an intern at the NJC, contributing research for columnist Donald Lambro’s syndicated column.
The husband of the former Annie-Grace Saungweme, and father of three, the native Pennsylvanian now makes his home in Triangle, VA.
January 12, 2016, Malcolm A. Kline,
It’s interesting that some of the same people who go ballistic at the suggestion that corporations are people are quite willing to ascribe human attributes to inhuman things. “I’m out to prove that rocks are alive and humans are not,” Simon Porzak, a writing instructor at Columbia said at the Modern Language Association (MLA) convention in Austin last week.
Porzak had a slew of lines that kept the crowd at the MLA in stitches:
According to his vitae, Porzak’s interests include comparative literature, decadence, French Language and Literature, French Studies and Gender and Sexuality Studies. He is the author of a number of papers including “Inverts and Invertebrates: Darwin, Proust, and Nature’s Queer Heterosexuality.”
“At the midpoint of a journey through that life-within-a-life that is Marcel Proust’s À la recherche du temps perdu [Remembrance of Things Past], within the obscure forest of symbols that is an everyday Parisian courtyard, the reader (and the narrator, Marcel) encounter three portentous, chimerical beasts: the Duchesse de Guermantes’s spectacular orchid; the vest-maker Jupien; and the Baron de Charlus, the very specimen-type of aesthetic dandyism,” Porzak writes in this paper. “Proust and Marcel seize upon this encounter to introduce a new narrative code into the novel, finally allowing the reader entry into the blazing hell of same-sex desire—the titular Sodom and Gomorrah—that has until now remained an indecipherable secret.”
“The volume’s brief introductory chapter, a whimsical biological treatise on ‘inversion’ that will determine the definition and value of what we more generally call ‘homosexuality’ within Proust’s world and work, climaxes on the image of a lonely invert, alone on the beach after a day of unsuccessful cruising, ‘like a sterile jellyfish (méduse) that will perish on the sand.’”
Well, he caught something that all the reviewers on Amazon missed.